As a musicologist with a keen interest in the life and works of Ludwig van Beethoven, I am thrilled to delve into the fascinating subject of his compositions during the period of his deafness. Beethoven's journey with deafness is a testament to his resilience and artistic genius, and it is a story that continues to inspire musicians and listeners alike.

Around 1800, Beethoven began to notice a gradual deterioration in his hearing. This was a devastating development for a composer and performer whose life was deeply intertwined with music. Despite the increasing isolation and the immense challenges it posed, Beethoven did not let his deafness define his creative output. On the contrary, it was during this period that he composed some of his most profound and celebrated works.

By 1820, Beethoven was almost completely deaf. Yet, this did not hinder his ability to compose. Instead, it seems to have fueled his creativity, leading him to explore new musical territories and push the boundaries of what was possible in classical music. His last five piano sonatas are a case in point. These works, composed between 1821 and 1822, are considered some of the most technically demanding and emotionally charged piano pieces ever written. They showcase Beethoven's innovative approach to form, harmony, and expression, and they stand as a testament to his enduring musical vision.

Another significant work from this period is the "Missa Solemnis," a grand and solemn mass composed between 1819 and 1823. This piece is notable for its complexity and the depth of its spiritual message. It is a work that reflects Beethoven's struggle with faith and his quest for a higher meaning amidst the silence that had enveloped him.

Perhaps the most iconic of Beethoven's late works is the Ninth Symphony, completed in 1824. This symphony is not only celebrated for its innovative structure and emotional depth but also for its choral finale, which includes the famous "Ode to Joy." The inclusion of a choir in a symphony was groundbreaking at the time, and the Ninth Symphony has since become a symbol of unity and brotherhood.

Lastly, the last five string quartets, composed between 1824 and 1826, are among the most enigmatic and complex works in Beethoven's oeuvre. These quartets are characterized by their experimental nature, with Beethoven pushing the boundaries of the string quartet form and exploring new harmonic and contrapuntal possibilities.

In conclusion, Beethoven's compositions during his period of deafness are a remarkable demonstration of his artistic fortitude and creative genius. Despite the immense personal challenges he faced, Beethoven was able to produce works that have stood the test of time and continue to captivate and inspire audiences around the world.

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About 1800, he discovered that he was slowly becoming deaf. By 1820, when he was almost totally deaf, Beethoven composed his greatest works. These include the last five piano sonatas, the Missa solemnis, the Ninth Symphony, with its choral finale, and the last five string quartets.read more >>