As a scholar in the field of narrative theory and folklore studies, I am well-versed in the works of Vladimir Propp. His theory, which is foundational in the structural analysis of narratives, particularly in the realm of Russian fairy tales, offers a systematic approach to understanding the roles characters play in stories.

Vladimir Propp's theory, as articulated in his seminal work "Morphology of the Folktale," is a typology of character roles and narrative functions within a story. Propp identified that despite the vast diversity of tales, there are certain recurring patterns in the characters and their actions. He proposed that every narrative could be broken down into a series of thirty-one functions, which are performed by various characters. These characters, in turn, can be categorized into a limited number of types, which he outlined as follows:


1. The Hero - The central character who sets out on a quest or mission.

2. The Sender - Often a wise old man or a king, this character sends the hero on their quest.

3. The False Hero or Villain - An antagonist who deceives or opposes the hero.

4. The Dispatcher - A character who provides the hero with information or a task that sets them on their journey.

5. The Helper - A character, often magical, who aids the hero in their quest.

6. The Princess and Her Father - The characters who are often the goal of the hero's quest.
7.
The Donor - A character who provides the hero with a magical gift or tool to aid in their quest.
8.
The Villain - The main antagonist who poses a threat to the hero and the story's world.

Propp's theory is significant because it provides a framework for analyzing the structure of narratives, showing that despite cultural and historical differences, there are universal patterns in storytelling. His work has been influential in various fields, including literary criticism, anthropology, and cultural studies.

Now, let's proceed with the translation of the response into Chinese.

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弗拉基米尔·普罗普的理论是叙事理论和民间故事研究领域的基石。他的理论，尤其是在《民间故事形态学》一书中详细阐述，为理解故事中角色的作用提供了系统化的方法。

普罗普的理论提出了一种角色类型和叙事功能在故事中的分类。他发现，尽管故事种类繁多，但角色及其行动中存在着一定的重复模式。他提出，每一个叙事都可以分解为三十一种功能，这些功能由不同的角色来完成。这些角色又可以归类为有限的几种类型，他概述如下：


1. 英雄 - 故事的中心人物，开始踏上任务或使命。

2. 发送者 - 通常是智慧的老人或国王，这个角色派遣英雄踏上他们的任务。

3. 假英雄或反派 - 一个欺骗或反对英雄的反派角色。

4. 派遣者 - 提供信息或任务，从而让英雄踏上旅程的角色。

5. 助手 - 通常是一个魔法角色，帮助英雄完成他们的任务。

6. 公主和她的父王 - 通常是英雄任务的目标。
7.
赠与者 - 提供英雄魔法礼物或工具以帮助他们完成任务的角色。
8.
反派 - 主要的反派角色，对英雄和故事世界构成威胁。

普罗普的理论之所以重要，是因为它为分析叙事结构提供了一个框架，显示了尽管存在文化和历史差异，但叙事中存在着普遍的模式。他的作品在文学批评、人类学和文化研究等领域产生了深远影响。

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Vladimir Propp's Character Theory:? Propp suggested that every narrative has eight different character types, these character types are:? The villain -- fights the hero in some way.? The dispatcher -- character who makes the villain's evil known and sends the hero off.? The (magical) helper -- helps the hero in the quest. ...Oct 2, 2012read more >>